An unprecedented community gathering takes the form of an exhibition, bridging the gap between two generations of master artists separated by many generations. The question arises: How can we unite a community within an exhibition space that transcends mere display, offering instead a space for communion and intense "communitas" - those profound moments shared by a group? Prodigy pianist Theo Abellard's original composition initiates a dialogue with the antique sculptures of artist Georges Liautaud (1899-1991). Abellard, with musical direction from James Oscar, endeavors to address one of society's most critical losses:  recovering the public sphere and intangible human heritage of these sculptures for quiet reflection, music, contemplation, and secular sacred gatherings as ceremonies.

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